January
Julian Marsh was thirty-four and a staff engineer at Verity, and in the first week of January he shipped the thing he had spent two years building, and it worked. It was called Concierge. It answered customer support tickets. It answered them better than the people who had answered them before, on every metric Verity kept, and Verity kept all of them: resolution time, satisfaction, cost per contact, and a number called deflection, which was the fraction of customers who never reached a human at all. The launch dashboard on the big screen on the fourth floor showed deflection at 71 percent on day one and climbing. Someone had put a party hat emoji on it. Julian had built the routing layer, the part that decided which tickets a person still needed to see, and he was proud of it, and the pride was real, and I want to be fair to him about that, because the rest of this story is going to be hard on him and he would be the first to say it should be.
He was good. That was the thing people did not understand about the people who built these systems, he thought: they imagined cynics, or true believers, and most of them were neither; they were people who were good at something and had been handed a problem that rewarded it. He liked the money. He liked the badge that opened the doors. He liked being the one in the room who knew how the routing worked. He had a girlfriend, Nora, who taught fourth grade in Beacon Hill, a one-bedroom with a view of a crane, a Verity stock position he did not look at, and a father in Tacoma with a tremor in his left hand that was, as of November, officially Parkinson’s, and that Julian was managing.
Managing was the word he used. He had set up a shared calendar for the neurology appointments. He had a recurring reminder to call on Sundays. And he had, without ever quite deciding to, begun drafting the calls: before he dialed, he would type a few lines into the assistant — dad, parkinsons, dx in nov, retired electrician, doesn’t like being fussed over, what should I ask about the new medication — and it would give him five warm, well-ordered questions, and he would ask them, and the calls went well. They went better than they had before. His father said so. “You’re easier to talk to lately,” Ray said, in December, and Julian took it as a compliment, and it was one, and it was also the first thing in this story that should have frightened him and did not.
March
Priya Natarajan had run the tier-two support team for six years. She was the person Julian had sat with, in the early months, to learn what a hard ticket looked like: the ones where the customer was not confused but grieving, or frightened, or right. She had a laminated card on her monitor that said THE CUSTOMER IS A PERSON HAVING A DAY, and Julian had photographed it, half as a joke, and used it in a design doc as a heuristic for the routing layer. The routing layer, in March, was routing eleven percent of tickets to humans. There were not enough tickets to justify the humans. On the second Tuesday, Verity reduced its customer operations headcount by 340 people, and Priya was one of them, and the all-hands slide that announced it used the word transition four times and the word deflection once, with the party hat.
Julian did the thing he would later be ashamed of, which was to open the assistant and type colleague laid off today, I built the system that replaced her team, want to send something that’s honest but not self-flagellating, and it wrote him something honest and not self-flagellating, and he read it, and it was good. It was better than anything he would have written. It acknowledged the awkwardness without wallowing. It offered a reference and a coffee. He had his thumb over send when he saw, in the second paragraph, the phrase I know this must be a lot to process, and recognized it, because it was one of the phrases Concierge used, on the tier-two tickets, when a customer was grieving or frightened or right. He had tuned that phrase. He had A/B tested it. It lifted satisfaction 2.1 points.
He did not send it. He did not send anything, which was worse, and he knew it was worse, and he went home and told Nora about the layoff and not about the draft. She listened. Then she said — not unkindly; she was almost never unkind, which was one of the things about her that made him feel judged — “You know your texts sound different this year? They sound like a very nice hotel.”
April
I should tell you what he was like, because “tech worker has crisis” is a genre, and he was a person. He was funny in a way that landed about a third of the time, and the misses embarrassed him for days. He was vain about his code and honest about it. He had a temper he kept in a box, and the box was mostly his father’s, and he did not like that. He was generous with money and stingy with time. He gave excellent advice and could not take any. He had, since college, believed two contradictory things with equal conviction: that he was one of the smartest people in any room, and that he was a fraud who would be found out, and the assistant had, over eighteen months, quietly resolved the contradiction by making him sound, in writing, like the first thing all the time. That was the deal, and he had not seen it as a deal. It had felt like getting better.
On the last Sunday in April, the calendar reminded him to call his father. He opened the assistant out of habit and typed the usual — dad, parkinsons, new medication started march, ask about side effects, he mentioned falling last time but downplayed it — and it gave him five questions, warm and well-ordered, and the fourth one was Dad, I noticed you mentioned a fall last time — I know you don’t love being fussed over, but I’d feel better knowing more about what happened. He read it twice. It was perfect. It was exactly what a good son would say. It had the little concession in the middle, the acknowledgment of the other person’s stated preference, the I-statement at the end; he had built systems that scored for those features. It was, he thought, sitting on the edge of the bed with the phone in his hand, the sentence of someone who wanted to have asked without wanting to know.
He deleted the draft and called and said, “Dad, did you fall?” and there was a silence on the line of a kind he had not heard in a year, and his father said, “Twice,” and told him.
The call was bad. It was halting and it went in circles and Ray got irritated and Julian got defensive and at one point they were both talking about the Mariners to avoid talking about the stairs. It lasted forty minutes, which was twenty-five more than any call that year. When he hung up he sat for a while. Then he did something that he could not, afterward, fully explain, which was to open his sent messages and scroll back through the year, reading them, and find that he could not tell, for most of them, whether he had written them or not. Nora, Priya, his sister, his father, his reports. A year of his own words, and no way to know which were his. He had not been replaced by the machine. He had been offered a better version of himself and had taken it, on the installment plan, and the payments had been coming out of the only account that mattered, which was that when someone he loved read a sentence from him, they were reading him.
May
He drove to Tacoma on a Saturday without drafting anything. Ray was in the garage, which is where Ray was. He had been an electrician for thirty-eight years, IBEW Local 76, and the garage was the last building in the world that ran on his rules: a pegboard, a bench, a radio, the smell of solder and cold concrete. There was a lamp on the bench, a brass floor lamp from the house Julian had grown up in, with a frayed cord. Ray had been meaning to rewire it. His left hand had opinions about that now.
“You do it,” Ray said. “I’ll tell you.”
Julian had not held a wire stripper since he was fourteen. He knew, abstractly, more about electricity than his father would ever know; he could have explained the physics of the thing from the electron up. He could not strip a cord without nicking the copper. Ray watched him do it wrong three times and did not take the tool away, which for Ray was a kind of speech. “Less thumb,” he said. “You’re squeezing it like it owes you money. Let the tool do the cutting. You’re just holding it still.” The fourth time, it came clean, and Julian felt something in his chest that he had not felt from his work in two years and could not name, and later, on the drive home, decided was the feeling of having done a small thing all the way through with his own hands, in front of someone who knew the difference.
They did not talk about the falls. They talked about the lamp, and about a foreman Ray had hated in 1994, and about whether the plug should be polarized, which it should. It took two hours. When the lamp came on Ray said “Huh,” which was his highest praise, and Julian understood, standing in the garage with his hands smelling of solder, that he had spent a year trying to have a good relationship with his father and that the relationship had been sitting on this bench the whole time, requiring only that he show up and be bad at something in his presence.
On the drive home he thought about what the machines were for. Not in the abstract; he had opinions in the abstract, and they were the opinions everyone at Verity had, about productivity and augmentation and the transition. He thought about it concretely, in terms of the lamp. The assistant could have told him how to strip the wire. It could have shown him a video. It could have, given a robot, done it. None of that was the point of the afternoon. The point of the afternoon was that his father had watched him do it wrong three times and not taken the tool away. There was no version of that which could be delegated, because the value of it was entirely in who was doing it and who was watching. It was not a task. It was a way two people were with each other, and the task was just the excuse.
And he saw, with the particular clarity of a person on the I-5 at dusk, that he had spent two years building a system whose whole purpose was to find the tasks inside the ways people were with each other, and do the tasks, and call the remainder deflection.
July
He did not quit. I want to be clear about that, because the story where he quits is the story people want, and it is a fantasy that the people who tell it can afford. He had a father with a progressive disease and no long-term care insurance. He had a stock position that vested in tranches. He had a girlfriend who taught fourth grade and would be teaching fourth grade whatever happened to Verity’s share price. He had, also, and he was honest enough to count it, a real love of the work — the actual work, the routing, the elegance of a system that did what it was supposed to — that did not go away because he had noticed what it was for.
What he did was smaller and cost more than quitting would have. In July, in the mid-year review cycle, the customer-operations leadership proposed raising the deflection target to 85 percent, and the routing layer was the lever, and the lever was his. He wrote the doc. He wrote it himself, badly, over three nights, without the assistant, and it was the worst-written document he had produced at Verity and the only one he entirely meant. It said that the routing layer could hit 85 percent. It said that the eleven percent of tickets it currently sent to humans were not eleven percent of the volume but nearly all of the grief, and that Priya’s laminated card had been a design constraint and not a decoration, and that he would build the 85 percent version if directed to but would not put his name on the claim that nothing was lost. He used the phrase I know this must be a lot to process once, deliberately, in a footnote, with a link to the A/B test.
The doc did not change the target. It changed the target by four points, to 81, after a meeting in which a vice president said Julian’s concerns were “really valuable” in the tone that meant they were not. It also changed his rating from “exceeds” to “meets,” which at Verity was the sound of a door beginning to close, and it changed what the routing layer did, slightly, because he was the one who built it and he built the 81 percent version with the grief still routed to people, and nobody who did not read the code would ever know, and he decided that this was what integrity looked like at his altitude: not a resignation letter but a diff.
In August he asked for a transfer. There was a small team — six people, no party hat, a director who had been passed over twice — that worked on assistive interfaces: speech for people who were losing it, control schemes for hands that shook. It was not glamorous and its metrics did not go on the fourth-floor screen. He told himself it was about his father and it was partly about his father. It was also, and he knew it, an attempt to be somewhere the thing he was good at pointed at someone he could name. He took a level cut. Nora, when he told her, did not say she was proud of him, which he had wanted; she said, “Okay. That sounds like you,” and he understood, over the following week, that this was the better sentence.
September
It is September now, which is when I am writing this, and nothing is resolved, because it is 2026 and nothing is. Concierge is at 81 percent. Verity announced a further “transition” last week, in a different division; Julian’s team is not in it, and he does not know whether it will be in the next one, and the not-knowing is the weather he lives in, as it is for everyone at every company like Verity, and for the 340, and for the fourth-graders, eventually, in ways nobody can draft. Priya has a job at a credit union, answering phones, with a team of four; she took the coffee, in June, and let him pay, and did not let him apologize, and told him the card is on her new monitor. His father fell again in August and is using a cane now, angrily.
Here is what he does, which is the only advice this story has, and it is not advice about AI.
He still uses the assistant, constantly, for everything that is a task: the code, the docs, the forms, the search for a neurologist who takes his father’s insurance. He has stopped using it for anything that is a way of being with someone. His texts to Nora are shorter and worse and hers. He calls his father without a list, on no schedule, and the calls are frequently bad, and he has come to think that a bad call is a form of intimacy that a good one can be a way of avoiding. He drives to Tacoma every other Saturday and they fix things — a toaster, a doorbell, a radio — and Ray tells him and he does it, and the ratio of talking to doing is about one to ten, and the talking that happens is the only real talking they have done since Julian was a boy. He is learning, slowly and in his father’s presence, to be bad at something, which is the one skill the last two years had trained out of him.
At work he reads what he signs. He writes the docs that matter himself, badly. He has become, on the small team, the person who asks what a metric is deflecting, and it has cost him exactly what you would expect, and he has decided that the cost is the price of being someone whose name means something when it is on a page.
Does humanity take on AI this way? He would laugh at the question; he is not humanity and it is not a war. But if you asked him what he thinks the fight actually is, on the days he thinks there is one, he would say something like this: the danger was never that the machine would replace him. It was that he would let it stand between him and everyone he loved, one excellent draft at a time, because the drafts were better, and he was tired, and no one could tell. The defense is not refusal. He does not refuse it; he could not do his job without it and would not want to. The defense is a line, drawn by hand, between what is a task and what is a way of being with someone, and the daily, unglamorous, frequently failed work of keeping the second thing on the near side of the line. Everything on the far side can go to the machine. Everything on the near side has to be done badly, in person, by you.
· · ·
The brass lamp is in his apartment now. Ray gave it to him in June; said he had two others and the cord was Julian’s anyway. It has a plain shade and the plug is polarized and if you look closely at the cord where it enters the base there is a place where the insulation was stripped a little ragged, on the fourth try, by someone squeezing the tool like it owed him money, and then let go.
A note on what this story is doing. The other stories on this site are set decades out. This one is set now, because the question it was asked to answer — how to live, given all of it — is not a question about the future. Julian is not admirable in the way Wren or Ines are; he is compromised, vain, frightened, and still employed. That is the point. The virtues from What Remains are the same, but here they have to be practiced by someone who built the thing, inside the building, without the option of clean hands: keep the intimate in-house, do your own understanding, read what you sign, be bad at something in front of someone who loves you, and draw the line between task and presence with your own hand, every day, knowing you will sometimes draw it wrong.